Tag: Chicago Black Renaissance

Denver Movement Law Firm Takes on High Profile Case of Jeff Fort, Seeks Federal Post-Conviction Relief

Culture News, Heritage-History

DENVER / CHICAGO, Sept. 30, 2025 — A Denver based law firm known for blending legal advocacy with movement organizing has announced it will represent Jeff Fort, also known as Imam Malik, in a sweeping post conviction relief effort. Fort, one of the most controversial figures in Chicago’s modern history, has been held under solitary confinement conditions at the United States Penitentiary Administrative Maximum Facility (ADX Florence) in Colorado for nearly two decades.

For the People, LLC, a movement law firm with offices in Denver and Sioux Falls, is stepping into the case with a multidisciplinary strategy. Attorney Jenipher R. Jones, Esq. will lead the team as they challenge both the conditions of Fort’s confinement and the longevity of his sentence under “old law” federal prisoner statutes.

“Mr. Fort’s case presents significant constitutional and legal issues that require immediate attention,” said Jones. “As a federal ‘old law’ prisoner, he faces unique challenges that demand focused advocacy and a comprehensive legal strategy. We look forward to working alongside all those who are currently pushing for his freedom.”

From Chicago Streets to Federal Supermax

Jeff Fort’s story is a complex one. Born in 1947, he rose to prominence in Chicago as co-founder of the Blackstone Rangers, later the Black P Stones, a gang that became one of the most influential and notorious in the city. Over the years, Fort’s leadership evolved into the creation of the El Rukn organization, which combined street influence with religious identity after his conversion to Islam.

By the mid 1980s, Fort was at the center of a federal indictment alleging conspiracy with representatives of Libya to commit terrorist acts in the United States. Convicted in 1987 on multiple counts, he received an 80 year sentence stacked on top of earlier convictions. His notoriety made him both a symbol of gang influence and government crackdowns during an era of “tough on crime” policies.

Since 2006, Fort has been housed at ADX Florence, the federal government’s most secure prison, where inmates spend up to 23 hours a day in solitary confinement. At 78 years old, his ongoing incarceration raises urgent questions about age, health, human rights, and the constitutional limits of isolation.

A Movement Law Firm with a Different Approach

For the People, LLC describes itself as a wholistic movement law firm. Unlike traditional firms that limit themselves to courtroom battles, For the People’s model integrates litigation with community advocacy, trauma informed practices, and interdisciplinary support.

The firm states plainly: “We are unapologetically Black, queer, disabled, Southern, formerly incarcerated, survivor, artist, abolitionist led.” This identity first approach signals that its work is not just about winning cases but challenging the systemic injustices that shape them.

Under Jones’ leadership, the firm has represented high-profile clients including Leonard Peltier and Eric King, both of whom were released from Bureau of Prisons custody during its representation. The firm’s track record has made it a growing force in the niche space of post conviction relief, civil rights advocacy, and political prisoner representation.

Supporting Fort’s case will be:

Andy Williams, Jr., Director of Litigation, Advocacy, and Strategy, a natural rights advocate with deep ties to Chicago’s activist landscape. Kalonji Jama Changa, Chief of Public Relations and Movement Engagement, responsible for movement communication and narrative strategy. A multidisciplinary team of attorneys, medical professionals, social workers, and advocacy specialists.

“This case exemplifies our commitment to challenging systemic injustices within the federal prison system,” said Changa. “Mr. Fort’s prolonged confinement under harsh conditions raises serious constitutional concerns that demand vigorous legal challenge.”

Why “Old Law” Status Matters

One of the central complexities of Fort’s case is his designation as an “old law” prisoner. This term applies to individuals sentenced before 1987, when sweeping federal sentencing reforms eliminated parole for most federal crimes. As a result, Fort remains subject to a parole board system that operates differently from the sentencing rules that govern most federal prisoners today.

His most recent parole hearing ended in denial, with the next statutory review scheduled for April 2027. Advocates argue that given his age, medical conditions, and record, his continued confinement, particularly under supermax isolation, constitutes cruel and unusual punishment.

Earlier this year, Fort sought relief under the First Step Act, a reform designed to expand compassionate release for elderly and sick inmates. That petition was denied, underscoring the uphill nature of his legal battle and the urgency of new representation.

The Legal and Human Stakes

For the People, LLC’s representation of Fort goes beyond technical appeals. The firm’s strategy includes:

  • Challenging the constitutionality of prolonged solitary confinement at ADX Florence.
  • Seeking improved medical care and age appropriate placement.
  • Exploring avenues for executive clemency and commutation.
  • Raising international human rights claims to draw attention to the broader issue of elderly prisoners held in extreme isolation.

In many ways, Fort’s case serves as a litmus test for how the U.S. justice system treats its most vilified inmates. Can constitutional protections extend even to those with notorious reputations? At what point does punishment become excessive, especially for aging prisoners?

Looking Ahead

With parole off the table until 2027, Fort’s new legal team faces an uphill battle. But For the People, LLC has signaled that it is prepared to exhaust every available legal remedy.

“We look forward to advocating for Mr. Fort’s transfer to an institution that is appropriate and conducive to his age, medical needs, and disciplinary record, never losing sight of his freedom as the ultimate objective,” Jones said.

For supporters, the launch of FreeFort.org serves as a central hub for updates and advocacy efforts. The site chronicles Fort’s legal history and provides avenues for public engagement in the campaign for his release.

A Case Larger Than One Man

Ultimately, the representation of Jeff Fort is not just about a single prisoner. It is about what kind of justice system the United States wants to uphold in the 21st century. For the People, LLC’s involvement underscores that legal battles are not fought in isolation, they are entangled with questions of race, politics, history, and humanity itself.

As Fort enters his late seventies behind supermax walls, his case forces the public to confront uncomfortable questions: How long is long enough? And at what point does justice demand mercy?

To read official press release from For The People, LLC’s Changa, Chief of Public Relations and Movement Engagement, click here.

Leave a comment and share your thoughts 💭

OTF Update: Boona’s Revenge, Boonie Moe Sentencing & What’s Next After Lil Durk’s Arrest

Culture News, Entertainment, Hip Hop, Culture, and Political Tricks

CHICAGO — OTF (Only the Family) is back in the headlines, and not for music. From courtrooms to federal indictments, the crew faces some of its biggest challenges yet.

Here’s what we know.

Boona’s Alleged Role in Revenge Case

Rumors are circulating online that OTF affiliate Boona may have been involved in a revenge shooting. Posts on Reddit and Instagram claim the charges include kidnapping, home invasion and murder. Authorities have not publicly confirmed those details. (Facebook, Reddit, Instagram)

Whether the reports are true or not, the speculation alone shows how quickly OTF news spreads, and how hard it is for the crew to escape its street image and their own demons.

Boonie Moe in Court

In a confirmed case, Boonie Moe was sentenced to seven (7) to fifteen (15) years in prison in Douglas County on drug charges. He was convicted of possession with intent to distribute cocaine. (Facebook, YouTube, X/Twitter)

The sentencing sparked mixed reactions. Some say it’s another example of the system swallowing young Black men, while others point to personal responsibility. Either way, it’s another loss for OTF’s roster.

Lil Durk Facing Federal Charges

The biggest blow came last October when Lil Durk (Durk Banks) was arrested on federal murder for hire charges tied to the ambush of rapper Quando Rondo in Los Angeles. Federal prosecutors allege Durk arranged travel, vehicles and weapons for the attack, which killed Rondo’s cousin, Saviay’a Robinson. Rondo survived. (AP, Vulture, DOJ)

Durk remains in federal custody while legal experts warn the case could carry decades behind bars if he is convicted.

What’s Next for OTF

With Durk in jail, Boonie Moe sentenced and Boona facing rumors of a revenge hit, OTF stands at a crossroads. Crews in hip hop history have either folded when their leader was locked up or reinvented themselves to survive.

For Chicago’s rap scene, OTF has been more than a music group. It’s been a cultural force. The question now is whether the brand can push past the weight of court cases and controversy or if we’re witnessing the slow fade of one of drill’s most influential collectives, as drill is slowing down.

💭 My take:

OTF can’t move forward off just Durk’s name anymore. Either they evolve or they fade. Simple as that.

Check out my latest video with Street Certified News 📰 touching in detail about the subject.

Ju Jilla’s “Reach Higher” Sets the Bar for Summer Hip Hop

Culture News, Entertainment, Hip Hop, Culture, and Political Tricks, What's Good?

Ju Jilla’s Reach Higher stands out as one of the best hip hop projects to drop this summer. From start to finish, the body of work is carefully arranged, creating a seamless listening experience that feels intentional and elevated. Each track flows into the next without losing momentum, showcasing Ju Jilla’s skill in curating not just songs, but a complete story.

Listen to the project here and let me know in the comments what you think 🤔

The features are thoughtfully chosen, adding depth and variety without overshadowing Ju Jilla’s presence. His lyricism is sharp yet effortless, with true to life storytelling delivered in a way that feels both authentic and aspirational, almost like high fashion for the ears. The project blends grit with elegance, reminding us that hip hop can be both raw and refined at the same time; that it’s ok as a man to need a therapist to elevate.

Reach Higher isn’t just music; it’s a statement. It’s the kind of project you replay, not only for the beats and bars, but for the craft that went into making it a cohesive, memorable piece of art.

Ju also dropped another project.

Goalden Chyld and Bo Deal Unite Chicago for “In the Trenches” Music Video Shoot to Push Peace

Community, Culture News, Entertainment, Hip Hop, Culture, and Political Tricks, Lifestyle, What's Good?

CHICAGO (July 15, 2025) — Chicago based artists Goalden Chyld and Bo Deal united for a high energy music video shoot Tuesday evening, drawing a crowd to the city’s Westside with members from the South, North, West and East Side under the banner of unity and community empowerment.

The video shoot, “In the Trenches,” kicked off at 5 p.m. at a private location. Promoted heavily through social media & word of mouth, the event called on members to “come out” in support of the city’s music scene and collaborative spirit to bring peace.

BTS Vlog with Street Certified News 🗞️

Sporting hoodies emblazoned with “UNITY” and “Tyrant,” Goalden Chyld and Bo Deal delivered performances that reflected not only lyrical grit of the city but also a message of resilience and togetherness. Organizers emphasized the importance of civic pride and representation in local artistry to push for peace ☮️ and love ❤️ through their art.

“This was about more than a video,” a member of the collective said. “It was about bringing the city together and reminding people that Chicago’s got each other’s back. We’re going to get it together”

The location, kept under wraps until the day of the shoot, added an underground feel to the event highlighting the grassroots nature of the project also granting protection for all involved. Despite the impromptu setting, the scene was electric with energy, with many attendees capturing behind the scenes footage and sharing it across platforms.

I was able to reconnect with some community family and meet new people who I look forward to building with.

Here’s some of the people I connected 😊 with:

We’re expecting the release the final video later this summer if not sooner, continuing their message of solidarity and street level storytelling GC said it’s 50 more videos coming, and to stay tune.

I’m going to keep following this beat overall archiving the ones pushing p, hoping that they are true to their word and forever ♾️ solid.

In the name of Ma’at ,

—BK

Easy O’Hare Brings Nightmare O’Hare to Life on Friday the 13th 😈

Culture News, Entertainment, Hip Hop, Culture, and Political Tricks

Chicago – On the notoriously eerie date of Friday the 13th, Easy O’Hare fused horror and hip-hop in a way only he could, with the release of his latest album, Nightmare O’Hare. Held at The New Jo’s Bar and Grill in Merrillville, Indiana, the release event transported fans and peers into an immersive experience where sound collided with storytelling in a night full of adrenaline, ambiance, and authenticity.

But what’s the big deal with Friday the 13th?

For centuries, the number 13 has carried a reputation for bad luck, and when it lands on a Friday, that superstitious energy hits different. The fear is so widespread it has its own name: paraskevidekatriaphobia. Pop culture took it even further in 1980 with the horror classic Friday the 13th, introducing Jason Voorhees; the silent, masked killer who haunted Camp Crystal Lake and slashed his way into horror history. Since then, the date has come to symbolize fear, suspense, and rebellion; making it the perfect backdrop for Easy O’Hare’s latest creative strike.

His statement? It’s giving serial killer energy.

And he’s killing these other rappers especially when it comes to the way he curates his musical projects.

Nightmare O’Hare captures that chaotic yet calculated vibe. It’s raw, cinematic, and deeply unsettling in the best way. The album rides moody production and vivid lyricism, exploring the gritty realities of urban life, survival, and the kind of darkness you face when you’re moving a certain way.

When I rap it gets scary for the competition and we chose a beat selection that fit the mood of how scary it can actually get. With this project I was showing I can pop up outta nowhere with new music at any given time after my listeners hear Nightmare O’Hare they’ll definitely go download the past projects to get all the way tapped in with me.


The theme originated from a past rap beef where I had to switch forms from Easy O’Hare to nightmare

-Easy O’Hare

The Performance

Easy’s stage presence brought the music to life with gritty emotion and undeniable power. And the supporting acts? Just as heavy. The room was charged with energy, filled with people who came to show love and stayed to be moved. It was a whole vibe and yes, the chicken was fire too.

The Artist

  • Rico Moneyy
  • Kdoug Jr
  • Aboog
  • D’kno Mr.KNOITALL
  • ESC Deez
  • Fly cool club
  • Big Nastee
  • Easy O’Hare
  • Coldhard

The Bigger Picture

With Nightmare O’Hare, Easy doesn’t just drop music, he curates experiences and releases projects with precision. He proves that there’s room for 40-year-old rappers who trap 🏚️🪤 with strategy, successfully. This isn’t a moment; it’s a method.

Nightmare O’Hare is now streaming on all major platforms.

Stay tuned for visuals, BTS moments, and more drops by following him on Instagram: @easyohare_

The Culture is the Curriculum: How Hip Hop Became a Social Political Force

Culture News, Economics, Heritage-History, Hip Hop, Culture, and Political Tricks, Scholarly Works, What's Good?

Hip Hop was never just a soundtrack, it was a survival guide, a protest language, and a cultural archive passed through boom bap beats and breath. Today, as the world watches the Hip Hop generation step into political arenas, from local elections to the United Nations, we are forced to ask: Who controls the culture now? And what does it mean to be Black, American, and powerful in a world that still tries to erase the blueprint?

In my new interview series The Cipher & The System I’m going to discussing the state of the culture, the importance of solving our identity crisis and setting a standard for the stewards, creatives, and other associates of Hip Hop that benefit from our Black American culture.

Full video is going through post production, bare with me.

It’s time to set the bar, revolutionize the voice of the culture and if not me then who? Seriously 😒 tho.

From Party to Power: The Political Birth of Hip Hop

What began in the Bronx as a celebration of rhythm, rhyme, and resistance has evolved into a global political force. Hip hop was never just about beats and bars, it was a cry from the margins, a cultural blueprint for survival in the face of systemic neglect.

As pioneers like Afrika Bambaataa and Grandmaster Flash turned block parties into platforms for protest, the culture began to birth its own consciousness. From the raw social critiques of Public Enemy to the electoral mobilizations led by artists and organizers today, hip hop continues to shift and our goal is to go back to our roots to use it as a tool to party for power, reminding the world that the mic is mightier than many know.

The Crisis of Identity in the Age of Influence

In a time where virality is often mistaken for value, the Black identity is being reshaped by algorithms and aesthetics more than lived experience and ancestral knowledge.

Hip hop, once a vehicle for self-definition, is now caught between commercialization and cultural reclamation. Who are we beyond the brand deals, trending sounds, and curated lifestyles? This crisis of identity isn’t just a cultural issue, it’s political. It determines who tells our stories, who profits from our pain, and how we define ourselves in the face of erasure and exploitation.

Dr. Daniel Davis on Education, Legacy & Liberation

Dr. Daniel Davis doesn’t just teach African American history, he embodies its living legacy. A leading voice on culturally relevant pedagogy, Dr. Davis believes education is the first site of liberation. In this exclusive interview, he shares why hip hop is not only a genre but a pedagogy, and how understanding our past is key to shaping our political and cultural future. His work centers the value of legacy, not as nostalgia, but as fuel for the fight for equity, self determination, and generational power.

Can We Build Cultural Institutions That Don’t Exploit Us?

Too many institutions built on Black creativity have failed Black communities. Whether in academia, music, media, or the nonprofit sector, the pattern is familiar: our genius is extracted, repackaged, and sold back to us, often without ownership, authorship, or autonomy.

It’s time to ask the hard questions: Can we build spaces where cultural integrity outweighs commercial interest? Where our narratives are protected, not commodified? Where cultural stewards are supported, not silenced? The answer requires both imagination and infrastructure, and a refusal to trade authenticity for access.

The Next Generation Needs Standards, Not Gatekeepers

There’s a difference between preserving culture and policing it. As hip hop enters its fifth decade, we owe the next generation more than nostalgia or elitism.

We owe them standards anchored in ethics, excellence, and historical context. These standards aren’t meant to stifle creativity but to safeguard legacy. Instead of gatekeepers, we need mentors, archivists, and architects, those who understand that true cultural preservation happens not by exclusion, but by elevation.

The youth are watching. Let’s give them more than permission, we must give them principles.

If we don’t teach the history of Hip Hop, we leave its future in the hands of people who never lived it.

Dr. Daniel Davis

Chicago: The Blueprint of Urban Culture

Culture News, Entertainment, Hip Hop, Culture, and Political Tricks, What's Good?

There’s something undeniable about Chicago. The rhythm of our streets, the depth of our history, and the influence we hold in shaping urban culture across the nation and internationally, it runs deep. From house music and footwork to conscious rap and drill, Chicago has been a cultural cornerstone, birthing movements and voices that echo far beyond city limits.

That’s why moments like GloRilla giving Queen Key her flowers 💐 hit different. It’s more than just a viral moment, it’s recognition of legacy, talent, and the resilience of a city that has long been under credited and over influential.

Queen Key has always represented raw, unapologetic energy, the essence of what it means to be from the Chi and its surrounding communities. For another artist to publicly uplift her on tour is a powerful testament to sisterhood and respect in hip hop, especially amongst women at that young women, in an era where the city’s women are claiming space louder than ever.

Chicago isn’t just on the map, we are the map. The artists, the culture, the style, the stories, we influence the world, and it’s about time that legacy is consistently honored.

Flowers 💐 today. Crowns 👑 tomorrow.

Easy O’Hare Is Still Taking Flight ✈️ : From Cabin Pressure to Young Bulls

Culture News

Chicago-Easy O’Hare, a standout voice in Chicago’s hip hop scene, teamed up with producer Uncle JoNH III to release Cabin Pressure, a tightly crafted 9 track album that dropped in 2024. Known for its gritty sound, sharp lyricism, and unapologetically Chicago feel, the project showcased Easy’s ability to turn personal stories and city life into immersive music. From soulful samples to streetwise bars, Cabin Pressure solidified his rep as an artist with staying power.

Single from Cabin Pressure

One of the album’s highlights, “KeepItTall,” featuring ESC Deez, has received new attention with a freshly released visual that captures the raw chemistry between the two. Watch the new video below 👇🏽. It’s a reminder that real art doesn’t fade, it grows with the artist.

Adding to the momentum, Easy O’Hare and ESC Deez recently joined forces again for “Bs,” the official theme song for the upcoming TV series Young Bulls. Promoted globally by Milwaukee’s own KB The Playmaker, and executive produced by industry veterans Stan Sheppard and Glasses Malone, Young Bulls shines a spotlight on Midwest talent, and Easy’s voice leads the charge. Check out the “Bs” video here, and you’ll see why this duo continues to demand attention.

From the Cabin Pressure cockpit to television soundtracks, Easy O’Hare is flying on his own frequency and the culture is catching up.

Listen to Cabin Pressure on all platforms and click here to listen.

Stay tune for Cabin Pressure Reloaded & catch him performing this summer.

Mama Cecile  Johnson thoughts on Day 8 Women’s Conference Oct 26, 2024 –

Culture News

Will the legacy of our generation be a series of broken promises?

Nelson Mandela

Mama’s  talk today  highlighted a number of ways African women had become to their detriment. From their relationship with each other to the role mothers and mothers-in-law now played, which is usually seen as negative. I was surprised to learn how negative mother-in- laws were seen as that had not been my expectation as we in the West see African families in a more positive way.

When she spoke of the challenge of the “feminine, that up to now, we have never had women solving the problems of women or humanity.” And how this disconnection came about it was a sad awakening for many.  

The lack of a female messiah was another observation raised, as well as a call for women who could help to address the needs of women to the Kings, Queens and First Ladies of Africa. A continent where few women seemed to rule. She asked why? Why did we think we should not and why were we not capable? She correctly highlighted that men have been making the decisions for the continent and it was clear that the outcomes were poor. She saw this as women becoming cowards, because here they were blaming men for everything but not standing up and demanding their right to do something about it. Taking control of their destiny required their action not someone’s approval. And failure to take action would mean that eventually women’s lives would get worse not better.

She tied this to the lack of women identified as Messiahs and the need for women to become messiahs. Why did we accept that only men could be a messiah? Why did we mimic other races in everything  except success, and look at the outcomes. As she cataloged our bad behavior as women she asked the question,  “With the beginning of a Renaissance: Was it our  choice to make new history or repeat history.”

I want to thank Mama for her message today on the courage lacking in our women today. It’s an observation I have also made in my years as an activist. When I would go before the School Board or community groups to speak about our failing schools and children I would tell community members that being a woman, a mother, someone who carried a child 9 months in the belly, suckled and raised that child, who else should speak on behalf of our children? Who else should be upset when a police officer who did not know your child, abused or killed them? I found it very frustrating how Black women in the USA were the only women who were expected to not feel for their children, themselves or their communities. So I spoke up.


When I hear you speak on the observations I myself have made as to the state of our affairs it makes my blood boil. And I heard your request and want you to know, sign me up. For you are correct when you say. “who but women should speak on women’s behalf?” Who should call our sisters out, and model the behavior needed while empowering women to be the change they wish to see in their lives? That has always been my motto. I AM the change I wish to see.

In 2013 I did my Master’s Thesis on Maternal Mortality in Africa (“DISCRIMINATION TO DEATH” Exploring the Issue of Maternal Mortality in Africa).  It was part of my research as I looked at so many factors (The MDGs) impacting African life which the world did not seem to care about.

My passion for Africa was born a long time ago my children say, but for me it became crystal clear when I attended a Global Poverty Forum in Denver, Colorado in 2008 and heard one of the speakers proclaim “that in the year 2050, the average income for the US would be $90,000, the average income for China and India would be $45,000 and the average income in Africa would be $1,800. And that Africa had the richest resources in the world.” Immediately I questioned, how could that be, that forty two years from now the world’s expectation for Africa would be so low? How could it be that the richest continents inhabitants could still be so poor?  Who was using the resources and what was causing this delay in Africa’s development?

There began a quest for me to understand more about this continent called Africa, one whose portrayal always links the mind to images of corrupt leaders, strongman dictators, military coups, civil war, HIV/AIDS, malaria, disease, starvation, malnutrition, dying children, lack of infrastructure, foreign debt and genocide. Yet Africa has the richest resources in the world, so why weren’t they being used to benefit her people?

Even as I documented so many challenges I had to focus on one item for my thesis and so I chose Maternal Mortality In Africa, because the numbers were so outrageous (US 11/100,000 live birth- white /33/100,000 Black and in Africa many places over 500 -900/100,000 even as some of the things impacting us now our ancestors had already conquered hundreds of years before. Like C- sections.) It was clear to me no one cared about Black women dying in Africa, similar to the response in the US, where the death rate was minuscule compared to Africa, but still disproportionate.

And it broke my heart that Nelson Mandela  in 2002 asked “will the legacy of our generation be a series of broken promises?” and that from then they had already predicted Africa would not meet its Millenium Development Goals by 2015, with 13 years to go. I am here to say YES, that is Africa’s legacy, “A whole series of broken promises” “ organized chaos” and incompetent and disingenuous leadership.  And we should be ashamed to have allowed it to get so bad.

My presentation on why we need an African Development Plan looks at these critical issues, health, education, infrastructure etc. and lays out some of the things needed to unite our people around common causes concerning us. Even designing something we labeled as a Kingdom Project as short term solutions to restoring Kingdom relevance on the continent.

I know your frustration for I have created and sent my work to fools claiming they were interested in development of our people and most of them were men, happy with their big titles and positions who were accomplishing nothing.  It has been a frustrating journey, so I am happy to meet you and Baba. Your passion is my own and your effort is similar to mine except yours is spiritual and I had not included that in my calculations even as I would say “this is a spiritual war we are fighting.” It took this last year training under Rev Kwame to understand what that truly meant.  Its as if my mouth would speak hoping my ears would hear.  Thank God it’s hearing now.

I am here to sign up for your classes and efforts and help create the plan of action. I agree we need to say and do more and I don’t lack courage.  It is a joy to finally meet some people of true courage and big hearts. Who have lived experience, not just book knowledge.  

Your summary of the situation was very sad. The mechanization of sex, children, lovers, lack of desire for each other, replacement of humanity with toys and robots.  How far we have sunk these last few decades as others have risen and our population of consumers are enamored with all of this foolishness, to our detriment.

So thank you Mama for once again being a breath of fresh air. Do not cry anymore for some of us are here to help you.  We heard your cry and we do plan to do something about it.

Love you Mama, I hear your heart.

Your daughter,


Cecile

Visit Mama Cecile’s website, here’s the original version.

‘Community Partners’ Give Back Right Before School Starts

Community, Culture News, Inspiration

Chicago, IL- Invited by Ta’Rhonda Jones, one of the presenters, who collaborated with Neighborhood Heroes, R.A.G.E. (Resident Association of Greater Englewood), Imagine Englewood If…, Project Hood, Kingdom Avenue, Teamwork Englewood, Ladies of Virtue, Alderwoman Coleman of the 16th Ward, Growing Home, Rebecca Zellview, CORE (Community Organized Relief Effort), 28 To Brush Dental Studio, Oak Street Health, U.S. Army, Community Policing, Cook County Illinois, Project Exploration STEAM, and VOA Illinois.

They provided Italian Fiesta Pizza for the Volunteer Staff; who passed out basketballs, essentials such as soaps, facial cleansers, food items; and non essentials such as backpacks, haircuts, COVID TESTING; and more. Supplies were distributed on a first come serve basis, rain or shine, located on 60th Halsted to help make the remote learning process easier for the families in Englewood and greater Chicago area.

Credit: Cortez Carter of “A Carter Agency”, Video Journalist

The Connect

I connected with Martin “Crime Chaser” Johnson, Lamon Reccord, Kevin Freeman, Joseph Williams and I met some new community associates and I look forward to seeing the work they do in the community and beyond, check back for updates.