Chicago-Ty Money, better known as Fat Money, returns with new music: 13 tracks in his signature style for this year’s CincoDeMoney installment, Wolf, Part 1.
This project is one I anticipate annually. Not just out of loyalty , but because the series consistently reflects authenticity and growth. Each year feels like a continuation, not a repetition.
Money still slaps the same way he did the first time I pressed play years ago. And I still spin the older records too. That consistency matters.
Beyond affiliation, because yes, this is family, the work stands on its own. The quality is there. The storytelling is structured. The themes are grounded in everyday Chicagoland life. There’s intention in the sequencing and delivery that many artists today struggle to maintain.
It’s narrative and a vibe.
The project was mixed by Rio Mac and Fat Money, with features from Rio Mac and Kris Lofton, adding texture without disrupting the tone.
A personal highlight for me is the recurring nod to my family’s restaurant legacy.
My uncle, Chuck “Woo Woo’s” Higgins, built something lasting from Washington Heights (99th & Halsted) to Lynwood, Calumet City, Dolton, Chicago Heights, and now:
CHICAGO — Actress and recording artist Ta’Rhonda Jones is expanding her creative work into music with Breaking Character, a project centered on identity, perception and personal transformation.
The project includes tracks such as “Favor on My Soul” and “Villain,” which explore contrasting emotional perspectives, one rooted in alignment and affirmation, the other in perception and misunderstanding.
“Breaking character is really about stepping outside of what people expect from you,” Jones said. “It’s personal.”
Jones, known for her role as Porsha Taylor on the television series Empire, is using music to expand her storytelling beyond the screen.
“I choose to be present. I choose to be 100% me,” she said. “No more performing. No more people pleasing. I’m no longer who society wants me to be.”
The duality presented in “Favor on My Soul” and “Villain” reflects a broader theme of balance within the project.
“I wanted to show that balance is necessary,” Jones said. “I can be both soft and firm. Soft says I understand you, and firm says I still choose what’s best for me.”
Production for “Favor on My Soul” is underway, with visuals emphasizing tone, reflection and transformation. The project’s visual direction aligns with its themes, focusing on mood-driven storytelling and emotional depth.
“There are moments where you’re misunderstood for growing,” Jones said. “That’s where ‘Villain’ comes from.”
Jones also described the creative process as liberating, noting that each phase of development has expanded her perspective.
“Every time I create, I discover new freedom,” she said. “It feels like a phoenix rising, like I’ve unlocked a new level of consciousness.”
A release date for Breaking Character has been confirmed for June 6. The project marks Jones’ continued expansion into music and visual storytelling, positioning it as a personal and creative evolution.
Known for her unapologetic voice, bold personality, and cultural influence rooted in Chicago, Queen Key is stepping beyond music and into something more tangible;retail, ownership, and curated lifestyle. Just like a big stepper should.
With the announcement of her boutique, Kolors, grand opening, Sunday, April 19, at 2144 W. 95th Street from 5 PM-9 PM, she’s not just inviting people to an event…she’s inviting them to her next chapter of evolution and introducing them to a special space in her life.
Queen Key, born Ke’Asha McClure, has never followed a traditional blueprint, at all. I love 🥰 that for those of us looking 👀 to be inspired by originality.
From viral tracks to building a loyal audience, her career has been defined by authenticity and independence. But this latest move signals something deeper:
Ownership of experience.
A boutique isn’t just a store.
It’s:
A reflection of personal style
A direct-to-consumer brand channel
A physical extension of {brand} identity
And for an artist like Queen Key, whose image and presence have always been just as impactful as her music, this move feels less like a pivot and more like a natural progression.
This isn’t just about racks of clothing or a new address on a flyer.
Her Grand Opening represents:
A new level of entrepreneurship
A claim to a bigger physical space in the culture
A deeper connection between artist and audience, in marketing and advertising.
This is where supporters become customers. Where followers become community.
And where brand becomes infrastructure.
The Power of Physical Space in Communications
In a digital-first world, creating a physical location is a power move.
It says: “I’m not just visible, I’m established.”
For Chicago especially spaces like this matter because we’re an international city and market.
We are a hub for:
Local fashion influence
Cultural expression
Community engagement
And when someone like Queen Key opens that door, it doesn’t just create opportunity for herself, it creates a ripple effect and opportunities for others.
What to Expect
While details are still unfolding, one thing is clear:
This won’t be a passive shopping experience.
Expect:
Energy
Personality
A crowd that reflects her audience
And a space that feels like an extension of her brand, and for the fly & danty ladies.
Because if there’s one thing Queen Key understands, it’s how to make people feel something.
Why This Moment Matters
Her boutique launch 🚀 is a signal.
A signal that artists, especially women in hip-hop, are continuing to expand beyond industry limitations and step fully into ownership, business, and legacy-building.
Spotify has been under fire before for its low artist payouts and corporate decision making that seems to prioritize profit over culture. But this time, the controversy is heavier; literally a matter of war and peace.
Music is more than entertainment in the Black community; it’s preservation, resistance, and storytelling. Our art has fueled movements, healed generations, and bridged continents. But when the same platform that profits off our streams also invests in tools of war, we have to ask: Whose battles are we funding?
Alecia Renece speaking on various reasons she’s leaving including the Ai 🤖 fiasco.
Military AI won’t just be used in far off conflicts. Historically, advanced surveillance and policing technology have disproportionately targeted Black communities, both in the U.S. and globally. If the profits from our art help fund these developments, we risk contributing to our own harm.
The Choice Before Us
Some may argue, “It’s just business,” but for artists especially independent and marginalized ones, where your music lives is a political choice. For listeners, it’s about where your money and attention flow.
Alternatives like Bandcamp, SoundCloud, and even direct-to-fan platforms give more control to artists and avoid directly funding military AI. The trade off? Less convenience, maybe but greater alignment with our values.
A Cultural Call 📱 Out
This moment is an opportunity for collective reflection:
For artists: Are we okay with our streams contributing to weapons technology?
For listeners: Are we willing to shift our habits to protect the culture and communities we love?
When music is our resistance, every play counts. And sometimes, the loudest protest is silence.
CHICAGO — OTF (Only the Family) is back in the headlines, and not for music. From courtrooms to federal indictments, the crew faces some of its biggest challenges yet.
Here’s what we know.
Boona’s Alleged Role in Revenge Case
Rumors are circulating online that OTF affiliate Boona may have been involved in a revenge shooting. Posts on Reddit and Instagram claim the charges include kidnapping, home invasion and murder. Authorities have not publicly confirmed those details. (Facebook, Reddit, Instagram)
Whether the reports are true or not, the speculation alone shows how quickly OTF news spreads, and how hard it is for the crew to escape its street image and their own demons.
Boonie Moe in Court
In a confirmed case, Boonie Moe was sentenced to seven (7) to fifteen (15) years in prison in Douglas County on drug charges. He was convicted of possession with intent to distribute cocaine. (Facebook, YouTube, X/Twitter)
The sentencing sparked mixed reactions. Some say it’s another example of the system swallowing young Black men, while others point to personal responsibility. Either way, it’s another loss for OTF’s roster.
Lil Durk Facing Federal Charges
The biggest blow came last October when Lil Durk (Durk Banks) was arrested on federal murder for hire charges tied to the ambush of rapper Quando Rondo in Los Angeles. Federal prosecutors allege Durk arranged travel, vehicles and weapons for the attack, which killed Rondo’s cousin, Saviay’a Robinson. Rondo survived. (AP, Vulture, DOJ)
Durk remains in federal custody while legal experts warn the case could carry decades behind bars if he is convicted.
What’s Next for OTF
With Durk in jail, Boonie Moe sentenced and Boona facing rumors of a revenge hit, OTF stands at a crossroads. Crews in hip hop history have either folded when their leader was locked up or reinvented themselves to survive.
For Chicago’s rap scene, OTF has been more than a music group. It’s been a cultural force. The question now is whether the brand can push past the weight of court cases and controversy or if we’re witnessing the slow fade of one of drill’s most influential collectives, as drill is slowing down.
💭 My take:
OTF can’t move forward off just Durk’s name anymore. Either they evolve or they fade. Simple as that.
Check out my latest video with Street Certified News 📰 touching in detail about the subject.
Ju Jilla’s Reach Higher stands out as one of the best hip hop projects to drop this summer. From start to finish, the body of work is carefully arranged, creating a seamless listening experience that feels intentional and elevated. Each track flows into the next without losing momentum, showcasing Ju Jilla’s skill in curating not just songs, but a complete story.
Listen to the project here and let me know in the comments what you think 🤔
The features are thoughtfully chosen, adding depth and variety without overshadowing Ju Jilla’s presence. His lyricism is sharp yet effortless, with true to life storytelling delivered in a way that feels both authentic and aspirational, almost like high fashion for the ears. The project blends grit with elegance, reminding us that hip hop can be both raw and refined at the same time; that it’s ok as a man to need a therapist to elevate.
Reach Higher isn’t just music; it’s a statement. It’s the kind of project you replay, not only for the beats and bars, but for the craft that went into making it a cohesive, memorable piece of art.
CHICAGO (July 15, 2025) — Chicago based artists Goalden Chyld and Bo Deal united for a high energy music video shoot Tuesday evening, drawing a crowd to the city’s Westside with members from the South, North, West and East Side under the banner of unity and community empowerment.
The video shoot, “In the Trenches,” kicked off at 5 p.m. at a private location. Promoted heavily through social media & word of mouth, the event called on members to “come out” in support of the city’s music scene and collaborative spirit to bring peace.
Sporting hoodies emblazoned with “UNITY” and “Tyrant,” Goalden Chyld and Bo Deal delivered performances that reflected not only lyrical grit of the city but also a message of resilience and togetherness. Organizers emphasized the importance of civic pride and representation in local artistry to push for peace ☮️ and love ❤️ through their art.
“This was about more than a video,” a member of the collective said. “It was about bringing the city together and reminding people that Chicago’s got each other’s back. We’re going to get it together”
The location, kept under wraps until the day of the shoot, added an underground feel to the event highlighting the grassroots nature of the project also granting protection for all involved. Despite the impromptu setting, the scene was electric with energy, with many attendees capturing behind the scenes footage and sharing it across platforms.
I was able to reconnect with some community family and meet new people who I look forward to building with.
We’re expecting the release the final video later this summer if not sooner, continuing their message of solidarity and street level storytelling GC said it’s 50 more videos coming, and to stay tune.
I’m going to keep following this beat overall archiving the ones pushing p, hoping that they are true to their word and forever ♾️ solid.
The shooting unfolded around 1:30 a.m. on July 2 outside Artis Restaurant & Lounge, located on the 300 block of West Chicago Avenue, as crowds exited an event hosted by Mello Buckzz. According to Chicago police, a dark-colored vehicle drove past the crowd and opened fire before fleeing the scene (ABC7 Chicago).
Watch full interview to hear my media associate & I discuss the situation.
Four people were fatally shot:
Taylor Walker, 26, a hairstylist from the South Side who was attending the event with friends
Aviance “Avi” Drexler, 27, a healthcare worker and close friend of the rapper
Leon Andrew Henry, 25, of Chicago
Devonte Terrell Williamson, 23, a truck driver and young father who was also Mello Buckzz’s boyfriend
At least 14 other individuals sustained injuries and were transported to area hospitals including Northwestern Memorial, Stroger, Mount Sinai, and Illinois Masonic. Three remained in critical condition as of Wednesday morning.
Chicago Police Superintendent Larry Snelling condemned the incident, calling it “senseless and devastating,” adding that the shooters “fired into a crowd without any regard for human life” (CBS Chicago). The venue, Artis Lounge, has since been temporarily closed by city officials. The same location previously operated as Hush Chicago, which was also shuttered following a 2022 fatal shooting.
As the community grapples with the violence, new legal developments have further complicated the narrative.
According to CWB Chicago, Melvin Doyle, the father of Mello Buckzz, was arrested and charged with being a felon in possession of a firearm and ammunition. The federal complaint, filed by the Bureau of Alcohol, Tobacco, Firearms and Explosives (ATF), states that Doyle was found with multiple handguns and over 100 rounds of ammunition during a February search of his home (CWB Chicago). Authorities confirmed the weapons were not used in the July 2 shooting, and no direct connection between Doyle’s charges and the River North attack has been established.
Still, the proximity of these events invites a broader reflection on the roots of violence in our communities.
While music, particularly in Chicago’s drill and rap scenes, offers a creative outlet and a reflection of lived experience, it also holds power to influence, to provoke, and in some cases, to escalate. The intersection of lyrics, online posts, and real world conflict has been well documented. Law enforcement and community advocates alike warn that violent rhetoric, whether artistic or interpersonal, can spill beyond the studio or screen and into the streets.
In honoring the lives of Taylor, Avi, Leon, and Devonte, we are also forced to confront a culture where grief is cyclical and trauma is generational. We must ask: what are we normalizing? What are we amplifying? And who is paying the price?
As federal and local investigations continue, authorities urge anyone with information about the shooting to contact the Chicago Police Department.
Chicago – On the notoriously eerie date of Friday the 13th, Easy O’Hare fused horror and hip-hop in a way only he could, with the release of his latest album, Nightmare O’Hare. Held at The New Jo’s Bar and Grill in Merrillville, Indiana, the release event transported fans and peers into an immersive experience where sound collided with storytelling in a night full of adrenaline, ambiance, and authenticity.
For centuries, the number 13 has carried a reputation for bad luck, and when it lands on a Friday, that superstitious energy hits different. The fear is so widespread it has its own name: paraskevidekatriaphobia. Pop culture took it even further in 1980 with the horror classic Friday the 13th, introducing Jason Voorhees; the silent, masked killer who haunted Camp Crystal Lake and slashed his way into horror history. Since then, the date has come to symbolize fear, suspense, and rebellion; making it the perfect backdrop for Easy O’Hare’s latest creative strike.
His statement? It’s giving serial killer energy.
And he’s killing these other rappers especially when it comes to the way he curates his musical projects.
Nightmare O’Hare captures that chaotic yet calculated vibe. It’s raw, cinematic, and deeply unsettling in the best way. The album rides moody production and vivid lyricism, exploring the gritty realities of urban life, survival, and the kind of darkness you face when you’re moving a certain way.
When I rap it gets scary for the competition and we chose a beat selection that fit the mood of how scary it can actually get. With this project I was showing I can pop up outta nowhere with new music at any given time after my listeners hear Nightmare O’Hare they’ll definitely go download the past projects to get all the way tapped in with me.
The theme originated from a past rap beef where I had to switch forms from Easy O’Hare to nightmare
-Easy O’Hare
The Performance
Easy’s stage presence brought the music to life with gritty emotion and undeniable power. And the supporting acts? Just as heavy. The room was charged with energy, filled with people who came to show love and stayed to be moved. It was a whole vibe and yes, the chicken was fire too.
The Artist
Rico Moneyy
Kdoug Jr
Aboog
D’kno Mr.KNOITALL
ESC Deez
Fly cool club
Big Nastee
Easy O’Hare
Coldhard
The Bigger Picture
With Nightmare O’Hare, Easy doesn’t just drop music, he curates experiences and releases projects with precision. He proves that there’s room for 40-year-old rappers who trap 🏚️🪤 with strategy, successfully. This isn’t a moment; it’s a method.
Nightmare O’Hare is now streaming on all major platforms.
Stay tuned for visuals, BTS moments, and more drops by following him on Instagram: @easyohare_
Hip Hop was never just a soundtrack, it was a survival guide, a protest language, and a cultural archive passed through boom bap beats and breath. Today, as the world watches the Hip Hop generation step into political arenas, from local elections to the United Nations, we are forced to ask: Who controls the culture now? And what does it mean to be Black, American, and powerful in a world that still tries to erase the blueprint?
In my new interview series The Cipher & The System I’m going to discussing the state of the culture, the importance of solving our identity crisis and setting a standard for the stewards, creatives, and other associates of Hip Hop that benefit from our Black American culture.
Full video is going through post production, bare with me.
It’s time to set the bar, revolutionize the voice of the culture and if not me then who? Seriously 😒 tho.
From Party to Power: The Political Birth of Hip Hop
What began in the Bronx as a celebration of rhythm, rhyme, and resistance has evolved into a global political force. Hip hop was never just about beats and bars, it was a cry from the margins, a cultural blueprint for survival in the face of systemic neglect.
As pioneers like Afrika Bambaataa and Grandmaster Flash turned block parties into platforms for protest, the culture began to birth its own consciousness. From the raw social critiques of Public Enemy to the electoral mobilizations led by artists and organizers today, hip hop continues to shift and our goal is to go back to our roots to use it as a tool to party for power, reminding the world that the mic is mightier than many know.
The Crisis of Identity in the Age of Influence
In a time where virality is often mistaken for value, the Black identity is being reshaped by algorithms and aesthetics more than lived experience and ancestral knowledge.
Hip hop, once a vehicle for self-definition, is now caught between commercialization and cultural reclamation. Who are we beyond the brand deals, trending sounds, and curated lifestyles? This crisis of identity isn’t just a cultural issue, it’s political. It determines who tells our stories, who profits from our pain, and how we define ourselves in the face of erasure and exploitation.
Dr. Daniel Davis on Education, Legacy & Liberation
Dr. Daniel Davis doesn’t just teach African American history, he embodies its living legacy. A leading voice on culturally relevant pedagogy, Dr. Davis believes education is the first site of liberation. In this exclusive interview, he shares why hip hop is not only a genre but a pedagogy, and how understanding our past is key to shaping our political and cultural future. His work centers the value of legacy, not as nostalgia, but as fuel for the fight for equity, self determination, and generational power.
Can We Build Cultural Institutions That Don’t Exploit Us?
Too many institutions built on Black creativity have failed Black communities. Whether in academia, music, media, or the nonprofit sector, the pattern is familiar: our genius is extracted, repackaged, and sold back to us, often without ownership, authorship, or autonomy.
It’s time to ask the hard questions: Can we build spaces where cultural integrity outweighs commercial interest? Where our narratives are protected, not commodified? Where cultural stewards are supported, not silenced? The answer requires both imagination and infrastructure, and a refusal to trade authenticity for access.
The Next Generation Needs Standards, Not Gatekeepers
There’s a difference between preserving culture and policing it. As hip hop enters its fifth decade, we owe the next generation more than nostalgia or elitism.
We owe them standards anchored in ethics, excellence, and historical context. These standards aren’t meant to stifle creativity but to safeguard legacy. Instead of gatekeepers, we need mentors, archivists, and architects, those who understand that true cultural preservation happens not by exclusion, but by elevation.
The youth are watching. Let’s give them more than permission, we must give them principles.
If we don’t teach the history of Hip Hop, we leave its future in the hands of people who never lived it.
Communications Generalist | Cultural Strategist | Data & Business Analyst 