CSJ Legal Brief | United States v. Lil Durk: The Witnesses, the Million-Dollar Allegation and the Evidence Behind the Acquittal

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Chicago Street Journal | Urban Culture & Affairs | Courts & Criminal Justice

Case: United States v. Durk Banks, et al.
Court: U.S. District Court for the Central District of California
Case No.: 2:24-cr-00621-MWF
Presiding Judge: U.S. District Judge Michael W. Fitzgerald
Verdict: September 11, 2026

Question Presented

How did federal prosecutors build a murder-for-hire prosecution around cooperating insiders, travel, money, electronic communications and other evidence and still fail to prove beyond a reasonable doubt that Chicago rapper Durk “Lil Durk” Banks participated in the charged murder-for-hire conspiracy?

And underneath that question is another:

What did the government’s evidence actually prove, as opposed to what witnesses and prosecutors said that evidence meant?

That distinction is at the center of this case.

Short Answer

On September 11, 2026, a federal jury acquitted Durk Banks on all charges arising from the government’s prosecution of an alleged 2022 murder-for-hire plot targeting rapper Tyquian “Quando Rondo” Bowman.

Banks’s co-defendants Deandre “DeDe” Wilson and David “Browneyez” Lindsey were also acquitted of the murder-for-hire allegations, but the jury convicted Wilson and Lindsey of conspiracy to commit stalking, stalking with a dangerous weapon and stalking resulting in death. The jury deliberated for three days. (AP News)

That split verdict is significant.

The jury was willing to find criminal responsibility for portions of the underlying conduct while declining to find Banks guilty of the offenses charged against him.

The verdict does not establish that every government witness lied. It does not tell us that jurors accepted every defense argument. Nor does it establish that Banks knew nothing about the events surrounding the shooting.

It establishes something narrower and legally critical:

Federal prosecutors did not prove Banks guilty of the charged offenses beyond a reasonable doubt.

Understanding why requires looking past the headline and examining the structure of the government’s case.

I. STATEMENT OF FACTS

From King Von’s Death to the Los Angeles Shooting

The government’s case originated in the aftermath of the November 2020 killing of Chicago rapper Dayvon “King Von” Bennett.

Federal prosecutors alleged that Banks sought retaliation against Quando Rondo, whose associate was involved in the Atlanta confrontation that resulted in Bennett’s death.

Nearly two years later, on August 19, 2022, gunmen attacked Bowman’s group near the Beverly Center in Los Angeles.

Bowman survived.

His cousin, Saviay’a “Lul Pab” Robinson, was killed.

Prosecutors alleged that Banks orchestrated a murder-for-hire plot targeting Bowman and that people associated with his Only The Family organization traveled to California and participated in the operation.

Banks pleaded not guilty.

His defense maintained that Banks did not order the killing and sought instead to place responsibility for organizing the attack on his former assistant, Kavon “Vonnie” Grant.

After approximately two weeks of testimony and three days of deliberations, the jury acquitted Banks. (AP News)

That chronology establishes the background.

It does not, by itself, establish who ordered the attack.

That was the disputed question the government had to prove.

II. WHAT THE GOVERNMENT HAD TO PROVE

Understanding the verdict requires understanding the actual law.

Federal murder-for-hire is governed principally by 18 U.S.C. § 1958.

The Ninth Circuit’s model criminal jury instruction identifies three fundamental elements the government must prove beyond a reasonable doubt.

First, the defendant must use, cause another person to use, or conspire to use a facility in interstate or foreign commerce or engage in the corresponding interstate travel covered by the statute.

Second, the defendant must act with the intent that murder be committed.

Third, the defendant must intend that the murder occur in exchange for something of pecuniary value. (Ninth Circuit Court)

That third requirement deserves attention.

“Murder-for-hire” doesn’t necessarily require completed payment.

Under federal law, “pecuniary value” can encompass money, commercial interests or other things whose primary significance is economic advantage. Ninth Circuit authority also recognizes that a promise of economic advantage can qualify even when the promise isn’t legally enforceable. (Ninth Circuit Court)

Therefore, the simplistic argument:

“Nobody got paid, so there couldn’t have been murder-for-hire”

……is legally incomplete.

But the opposite shortcut is equally problematic.

The government still had to establish the required connection between the murder and the alleged economic bargain.

As the Ninth Circuit instruction explains, the defendant must clearly understand that the thing of economic value would be given or received in exchange for the murderous act. (Ninth Circuit Court)

In plain English:

Where was the bargain?

Who offered what?

To whom?

What was promised?

What evidence established the agreement?

And most importantly for Banks:

What evidence proved that Banks knowingly participated in that bargain?

Those questions bring us to the government’s witnesses.

III. THE GOVERNMENT’S THEORY

Prosecutors did not present the alleged conspiracy as one isolated conversation.

They assembled a circumstantial and testimonial case.

The government pointed to relationships among Banks and members or associates of OTF; interstate travel; lodging and transportation; financial resources; electronic communications; the movements of alleged participants; and testimony from people who admitted participating in the events surrounding the attack.

Prosecutors argued that these pieces formed one picture:

Banks wanted retaliation, supplied or enabled resources, and directed people around him toward killing Quando Rondo.

One of the government’s most consequential witnesses was Banks’s former assistant, Kavon Grant.

Grant admitted participating in the August 2022 attack and testified that he did so because:

“Durk told us to.”

That is direct testimonial evidence of the government’s theory, but it still depended on jurors believing Grant. (LA Magazine)

And Grant wasn’t the government’s only insider.

IV. THE DEFENSE THEORY

Banks’s lawyers did not need to prove who actually masterminded the shooting.

The burden remained with the government.

But the defense supplied jurors with an alternative explanation.

It portrayed Grant, not Banks, as the person responsible for organizing the attack and argued that cooperating witnesses had powerful incentives to transfer responsibility upward to Banks.

The defense attacked the credibility of witnesses who admitted criminal participation and subsequently cooperated with federal prosecutors.

That created a recurring evidentiary question:

When does insider testimony become proof, and when does it remain an accusation requiring stronger independent corroboration?

The prosecution could establish that an associate traveled.

It could establish that someone rented a vehicle.

It could establish that money changed hands.

It could establish that a cellphone traveled from one location to another.

But those facts still had to be connected to Banks’s intent and agreement to commit the particular crimes charged.

The government’s case therefore depended not simply upon proving events.

It depended upon proving what those events meant.

V. THREE INSIDERS

Three cooperating witnesses became especially important to understanding the prosecution:

Kavon “Vonnie” Grant
Kacey “OTF Jam” Hester
Keith “Flacka” Jones

Their importance creates both strength and vulnerability for the government’s case.

An insider can provide information an outside witness could never know.

But cooperating witnesses may also face their own criminal exposure and potential sentencing consequences.

That doesn’t make their testimony inherently false.

It makes credibility, motive and corroboration especially important.

The jury ultimately heard the insiders’ accounts alongside the government’s independent evidence and the defense’s challenges to their credibility.

And then it acquitted Banks.

VI. THE FLACKA QUESTION: WHO IS KEITH JONES?

Keith Jones is particularly important because his position in the prosecution changed.

Jones, also known as “Flacka,” was not originally merely a witness against Banks.

He was a defendant.

He was charged in connection with the same alleged murder-for-hire scheme before later pleading guilty and becoming a government witness.

By the time of Banks’s trial, Jones was testifying for the prosecution about an operation in which he acknowledged participating. Courtroom reporting confirms that Jones testified immediately before Grant. (LA Magazine)

That history explains something that can look suspicious when documents from different stages of the prosecution are compared.

Jones can appear prominently among defendants in earlier case materials but not alongside Banks among the defendants whose guilt the September 2026 jury was deciding.

Based on the public evidence reviewed for this brief, that does not establish that Jones was secretly erased or “wiped” from the federal case.

His procedural status changed.

Defendant → guilty pleader → cooperating government witness.

That distinction is important enough that Chicago Street Journal is treating Jones’s plea and cooperation history as a separate reporting question rather than assuming what happened from changing document captions alone.

VII. THE $1 MILLION ALLEGATION

One allegation has traveled particularly far outside the courtroom:

Lil Durk allegedly placed a $1 million bounty on Quando Rondo.

But journalism requires us to ask:

Who actually heard what?

Jones’s testimony, as reported from the courtroom, was not simply that Banks personally approached Jones and offered him $1 million.

Reporting on the testimony describes Jones saying that Deandre “DeDe” Wilson told him Banks was offering $1 million for Quando Rondo’s killing. (XXL Mag)

The evidentiary chain being described is not simply:

Banks → Jones

It is:

Banks allegedly → Wilson allegedly → Jones.

Therefore, saying:

“Flacka testified that Durk personally offered him $1 million”

would overstate what Jones reportedly testified to.

The more precise formulation is:

Jones testified that Wilson told him Banks had offered a $1 million bounty.

Precision isn’t semantics here.

It’s evidence.

VIII. THE PAYMENT PROBLEM

Jones also testified about what happened after the attack.

According to courtroom reporting, Jones said he repeatedly sought compensation but Banks never paid him for his participation in the attempted attack. (XXL Mag)

Again, that does not automatically defeat a § 1958 prosecution.

Federal murder-for-hire law can encompass a promise or agreement involving economic value even if the promised benefit isn’t ultimately delivered. (Ninth Circuit Court)

But it creates an obvious evidentiary question:

If this was murder-for-hire, what evidence establishes the hire?

The prosecution didn’t necessarily need a canceled check marked “Quando hit.”

Criminal conspiracies rarely arrive gift-wrapped.

But prosecutors still needed evidence from which jurors could find the required economic agreement beyond a reasonable doubt, and Banks’s participation in it.

That makes the absence of a completed payment only part of the story.

The larger issue is whether the testimony, communications, money and other evidence sufficiently established the bargain itself.

IX. WHAT WAS CORROBORATED?

This may be the most important question in the entire case.

Strip away conclusions for a moment.

The government had evidence capable of establishing significant surrounding events and relationships.

It also had participants willing to tell jurors what they said those events meant.

But those are two different categories of evidence.

Suppose independent records establish that Person A flew from Chicago to Los Angeles.

That proves travel.

Suppose financial records establish that Person B paid for a hotel.

That proves a financial transaction.

Suppose cellphone data places Person C near a particular location.

That can establish location.

But none of those facts automatically answers:

Who ordered a murder?

The prosecution’s cooperators supplied crucial connective tissue.

Grant supplied perhaps the most direct version when he testified:

“Durk told us to.” (LA Magazine)

The defense consequently had an obvious strategic target:

the credibility of the people supplying the connection between Banks and the crime.

That’s why this case cannot be understood merely by counting how many pieces of evidence prosecutors introduced.

The better question is:

Which pieces independently established Banks’s criminal intent, and which pieces acquired their incriminating meaning primarily through a cooperating witness’s interpretation?

That question deserves a document-by-document examination.

X. THE VERDICT

On September 11, the jury returned its answer to the charges.

Banks was acquitted on all counts.

Wilson and Lindsey were acquitted of the murder-for-hire-related charges but convicted of conspiracy to commit stalking, stalking with a dangerous weapon and stalking resulting in death. (AP News)

The split verdict is worth studying.

Jurors were plainly capable of convicting defendants before them.

They did.

But they did not convict Banks.

That does not permit us to reverse-engineer the jury room and declare exactly which witness jurors believed or disbelieved.

A general verdict doesn’t provide that information.

What we can say is:

After hearing the government’s evidence and the defense’s challenges, the jury concluded that prosecutors had not proven Banks guilty of the charged offenses beyond a reasonable doubt.

Anything more specific requires evidence of the jurors’ reasoning that we presently do not have.

XI. WHAT THE VERDICT DOES NOT MEAN

This matters because criminal verdicts routinely get flattened on social media.

Not guilty does not mean “the jury proved he was innocent.”

The defendant doesn’t carry the burden of proving innocence.

The government carries the burden of proving guilt.

Likewise, the acquittal does not establish:

that every cooperator lied;

that every government allegation was fabricated;

that nothing criminal happened;

that everyone surrounding Banks was innocent.

In fact, the same jury convicted Wilson and Lindsey on stalking-related offenses. (AP News)

The legally accurate conclusion is considerably simpler:

The government did not prove its charges against Banks beyond a reasonable doubt.

XII. THE QUESTION AFTER THE ACQUITTAL

The verdict leaves us with a better journalistic question than:

“Did Durk do it?”

The question is:

Where did the government’s evidentiary bridge fail?

Was it cooperating-witness credibility?

Was it insufficient independent evidence establishing who gave the alleged order?

Was the million-dollar allegation too dependent upon communications passed through other people?

Did the financial evidence establish spending without sufficiently establishing a murder-for-hire bargain?

Could prosecutors establish the actions of the participants without proving Banks knowingly joined their criminal agreement?

Did jurors accept some government evidence but reject the inference prosecutors wanted them to draw from it?

Or did several of these problems converge?

The verdict itself doesn’t tell us.

The record might.

XIII. HIP-HOP ON TRIAL

There is another story underneath United States v. Banks.

It concerns what happens when hip-hop culture enters a federal courtroom.

Relationships become evidence.

Lyrics can become evidence.

Slang becomes something lawyers ask jurors to interpret.

Record-label and entourage finances can become potential evidence.

Travel becomes evidence.

Social-media posts become evidence.

The actions of employees, friends and associates can become evidence offered against an artist alleged to occupy a leadership position.

None of those categories is automatically legitimate or illegitimate evidence.

The journalistic responsibility is to distinguish between:

what the evidence objectively establishes

and

the interpretation prosecutors or defense attorneys ask a jury to place upon it.

That’s particularly important when jurors may not share the cultural vocabulary of the people whose communications they’re evaluating.

A lyric can have meaning.

A slang term can have meaning.

An artist paying an associate’s expenses can have meaning.

But determining what those things prove in a criminal prosecution requires considerably more than recognizing that they sound suspicious.

There is a difference between cultural interpretation and legal proof.

This case sits directly at that intersection.

XIV. LEGAL TERMS IN PLAIN ENGLISH

Indictment

A formal criminal accusation returned by a grand jury. An indictment states what prosecutors allege. It is not evidence that the allegations are true.

Superseding Indictment

A replacement indictment. Prosecutors may use one to add, remove or modify defendants, charges or factual allegations.

Defendant

A person formally accused of a crime in the case.

Co-defendant

Another person charged in the same prosecution or related proceeding.

Cooperating Witness / Cooperator

Someone who provides information or testimony to prosecutors. Cooperators are sometimes themselves charged with crimes and may hope their assistance will be considered when they’re sentenced.

Cooperation does not automatically make testimony true or false.

Plea Agreement

An agreement under which a defendant agrees to plead guilty under specified terms. Some plea agreements also contain cooperation obligations.

Conspiracy

In general terms, an agreement between people to commit a criminal offense.

A defendant doesn’t necessarily have to personally perform every act of the underlying crime to face conspiracy liability. But mere friendship or association with someone who commits a crime isn’t itself enough to establish participation in a conspiracy.

Murder-for-Hire | 18 U.S.C. § 1958

The federal offense at the center of this prosecution.

Under the Ninth Circuit model instruction, prosecutors must establish the required interstate-commerce component, intent that murder be committed, and intent that the murder occur in exchange for something of pecuniary value. (Ninth Circuit Court)

Pecuniary Value

Something primarily carrying economic value or advantage.

That can include money, commercial interests and other economically valuable benefits. (Ninth Circuit Court)

Quid Pro Quo

Literally, “something for something.”

In the murder-for-hire context, the important concept is an exchange: the economic benefit is connected to the requested murder rather than being unrelated generosity or ordinary financial activity.

Direct Evidence

Evidence that directly addresses a fact if believed.

Grant’s testimony that “Durk told us to,” for example, directly alleges an instruction. (LA Magazine)

Whether a jury believes the witness is a separate question.

Circumstantial Evidence

Evidence from which another fact can reasonably be inferred.

Travel records, location data and financial transactions can all be circumstantial evidence.

Circumstantial evidence is not automatically inferior to direct evidence.

Corroboration

Independent evidence supporting another piece of evidence or a witness’s account.

If a cooperator says a defendant gave an order, an independently authenticated message expressing that same order could potentially corroborate the testimony.

Hearsay

Generally, an out-of-court statement offered to prove the truth of what it asserts.

But “hearsay” does not automatically mean inadmissible. Federal evidence law contains numerous exclusions and exceptions, including rules that can apply to statements made during and in furtherance of a conspiracy.

Impeachment

Evidence or questioning used to challenge a witness’s credibility.

Prior inconsistent statements, certain biases, motives and other credibility issues can become subjects of impeachment.

Cross-Examination

Questioning of a witness by the opposing side.

Cross-examination allows lawyers to challenge what the witness remembers, whether accounts have changed and whether the witness has motives affecting credibility.

Beyond a Reasonable Doubt

The government’s burden of proof in a criminal prosecution.

The government must establish every required element of an offense beyond a reasonable doubt.

The defendant does not have to prove innocence.

Acquittal / Not Guilty

A verdict finding that the government did not prove the defendant guilty beyond a reasonable doubt.

It is therefore incorrect to automatically translate an acquittal into a factual finding about everything that did or did not happen.

Split Verdict

A verdict in which jurors reach different conclusions on different defendants or charges.

That’s what happened here: Banks was acquitted, while Wilson and Lindsey were acquitted of murder-for-hire-related allegations but convicted of stalking-related offenses. (AP News)

Severance

The separation of defendants or charges into different trials.

Banks remains in federal custody following this acquittal because he faces a separate trial currently scheduled for October 5 involving murder-related racketeering and weapons allegations. Those remain allegations, and Banks remains presumed innocent of them unless proven guilty. (MarketScreener)

XV. WHAT COMES NEXT

The September 11 acquittal closes one chapter of Banks’s federal prosecution.

It does not end the broader federal case.

Banks remains in custody and, according to the U.S. Attorney’s Office information reported following the verdict, faces another trial scheduled for October 5 on separate murder-related racketeering and weapons charges. (MarketScreener)

For Chicago Street Journal, however, the work on this first trial isn’t finished.

The next phase is the record.

We are examining:

the indictments;

Keith Jones’s plea and transition from defendant to cooperating witness;

the cooperation agreements;

trial and evidentiary briefs;

jury instructions;

the alleged $1 million bounty;

financial records and alleged payments;

travel and lodging evidence;

cellphone and electronic evidence;

witness testimony and impeachment;

and the evidence that independently corroborated, or failed to corroborate, the government’s cooperators.

The objective isn’t to retry Durk Banks in the press.

It is to understand how one of the most consequential federal prosecutions involving a Chicago hip-hop artist was constructed, and why that prosecution did not produce a conviction against him.

Because an allegation isn’t evidence.

Evidence isn’t automatically proof.

And evidence itself can be undisputed while its meaning remains fiercely contested.

The jury has delivered its verdict.

Now we’re going into the documents.

PRIMARY LAW & SOURCE RECORD

U.S. Court of Appeals for the Ninth Circuit – Model Criminal Jury Instruction 16.7, Murder for Hire (18 U.S.C. § 1958). Defines the elements prosecutors must establish and explains “pecuniary value.” (Ninth Circuit Court)

Associated Press – September 11, 2026. Contemporary verdict reporting confirming Banks’s acquittal, the three-day deliberation and Wilson and Lindsey’s stalking convictions. (AP News)

Reuters – September 11, 2026. Independent verdict reporting and confirmation that Banks remains detained pending the separately scheduled October prosecution. (MarketScreener)

Los Angeles Times – September 11, 2026. Courtroom reporting describing the competing prosecution and defense theories and the verdict. (Los Angeles Times)

Los Angeles Magazine – August 31, 2026. Courtroom reporting documenting Kavon Grant’s testimony concerning his participation and his allegation that Banks directed the group. (LA Magazine)

XXL – August 31, 2026. Courtroom reporting concerning Keith Jones’s testimony about the alleged bounty and his claimed attempts to obtain payment. Because these details presently rely on secondary courtroom reporting rather than a certified transcript in this brief, they are attributed accordingly. (XXL Mag)

Editorial Note

This brief distinguishes allegations, witness testimony, attorney arguments and established outcomes. Statements attributed to cooperating witnesses are their testimony, not independent findings by Chicago Street Journal. The September 11 verdict establishes that Banks was acquitted of the charges tried before this jury; it does not independently resolve every disputed factual question raised during the prosecution.

Banks remains in federal custody pending a separate federal trial currently scheduled for October 5, 2026, involving severed murder-related racketeering and weapons charges. Those allegations were not decided by the September jury, and Banks remains presumed innocent of them unless and until the government proves them beyond a reasonable doubt.

Chicago Street Journal will continue reviewing the court record and following developments in the upcoming prosecution.

Chicago’s Own: Ta’Rhonda Jones Brings Music, Storytelling & Soul to City Winery Chicago

Culture News, Entertainment

Chicago native and Empire star Ta’Rhonda Jones is set to take the stage at City Winery Chicago on Monday, July 20th at 7:30 PM for a one-night-only evening blending music, storytelling, comedy and candid conversation. Best known for her breakout role as Porsha Taylor on FOX’s hit drama Empire, Jones brings her signature charisma and authentic South Side energy to an intimate live setting that showcases the many sides of her artistry beyond the screen.

Since stepping away from scripted television, Jones has built a second on-screen life as a host, most notably fronting Oprah’s OWN Network reality dating series The Never Ever Mets. The show follows couples who fell for each other online meeting in person for the first time, and Jones, known for her blunt honesty and warmth, guides them through cohabitation and relationship tests with the same grounded, relatable energy that made Porsha a fan favorite. She returned for Season 2, which premiered in spring 2025, cementing her place as one of OWN’s go-to hosts for unscripted storytelling. I’m looking forward to seeing her return to the screen.

The date holds extra meaning: it falls right around Jones’s birthday, and it’s a great gift to give someone who never asks for anything but shares everything. The show is a shared celebration with her fans not just for her Solar Return but for all of her recent milestones. Below is a recent Instagram post announcing the event, she wrote:

Ticket buyers are entered into a raffle for artist development prizes, including a Billboard placement, a music video, and a Hype Magazine feature and more, tying the night directly to her broader mission of resourcing Chicago’s creative community.

The show comes on the heels of her latest album, Breaking Character, released June 6th. The 13-track project features collaborations with Teefa, SandyRedd, Joel Q, GLC, VAADI, Nathan Palmer, Mg Marz, and Philmore Greene, and has already drawn praise for its intentionality and cohesion, critics note the album’s replay value and the way its sequencing carries listeners through themes of identity and self-presentation. Fan-favorite tracks include “Villian” and “Feeling Good, Feeling Great.”

My favorites are “ Villain” , “Menace”, “Let Me Talk to Myself”, and “Favor on My Soul”.

Ta’Rhonda performing “Let Me Talk To Myself”

Jones’s Chicago roots run deep. Beyond acting and music, she’s the founder of the S.E.E.D. Foundation, a nonprofit dedicated to funding, mentoring, and resourcing emerging Chicago creatives through grants, studio access, and hands-on programming. Her impact will be formally recognized this year when she receives an Honorary Doctorate Degree in Humanity from Leaders Esteem Christian Bible University at its Fall Graduation Ceremony on August 23, 2026, in Atlanta. Announcing the honor, Jones reflected: “This isn’t just a title. It’s a testament… Y(our) FLYNESS… Dr. Ta’Rhonda Jones.”

Doors open at 6:00 PM at City Winery Chicago, 1200 W. Randolph St. Tickets are available now via City Winery’s box office.

Fat Money a “Wolf” in These Streets: A Review of CincoDeMoney Wolf, Part 1

Community, Culture News, Economics, Entertainment, Hip Hop, Culture, and Political Tricks, Lifestyle, Market Watch, Personal Perspectives, What's Good?

Chicago-Ty Money, better known as Fat Money, returns with new music: 13 tracks in his signature style for this year’s CincoDeMoney installment, Wolf, Part 1.

This project is one I anticipate annually. Not just out of loyalty , but because the series consistently reflects authenticity and growth. Each year feels like a continuation, not a repetition.

Money still slaps the same way he did the first time I pressed play years ago. And I still spin the older records too. That consistency matters.

Beyond affiliation, because yes, this is family, the work stands on its own. The quality is there. The storytelling is structured. The themes are grounded in everyday Chicagoland life. There’s intention in the sequencing and delivery that many artists today struggle to maintain.

It’s narrative and a vibe.

The project was mixed by Rio Mac and Fat Money, with features from Rio Mac and Kris Lofton, adding texture without disrupting the tone.

Favorite Tracks

In no particular order:

Nunyaa
Dust Off
Easter Sunday
Purest Form
Dorthy
Miami Calling My Name
IDFWY
Honorable Mention:
Wolf of Y’all Street

A personal highlight for me is the recurring nod to my family’s restaurant legacy.

My uncle, Chuck “Woo Woo’s” Higgins, built something lasting from Washington Heights (99th & Halsted) to Lynwood, Calumet City, Dolton, Chicago Heights, and now:

1721 E. Sauk Trail in Sauk Village.

When artistry intersects with legacy, it hits different.

Wolf, Part 1 feels like a reminder: evolution doesn’t mean abandoning your roots. It means sharpening them.

Ta’Rhonda Jones explores identity and transformation in the upcoming project “Breaking Character.”

Businessology, Community, Culture News, Economics, Entertainment, Hip Hop, Culture, and Political Tricks, Lifestyle, Market Watch, What's Good?

CHICAGO — Actress and recording artist Ta’Rhonda Jones is expanding her creative work into music with Breaking Character, a project centered on identity, perception and personal transformation.

The project includes tracks such as “Favor on My Soul” and “Villain,” which explore contrasting emotional perspectives, one rooted in alignment and affirmation, the other in perception and misunderstanding.

“Breaking character is really about stepping outside of what people expect from you,” Jones said. “It’s personal.”

Jones, known for her role as Porsha Taylor on the television series Empire, is using music to expand her storytelling beyond the screen.

“I choose to be present. I choose to be 100% me,” she said. “No more performing. No more people pleasing. I’m no longer who society wants me to be.”

The duality presented in “Favor on My Soul” and “Villain” reflects a broader theme of balance within the project.

“I wanted to show that balance is necessary,” Jones said. “I can be both soft and firm. Soft says I understand you, and firm says I still choose what’s best for me.”

Production for “Favor on My Soul” is underway, with visuals emphasizing tone, reflection and transformation. The project’s visual direction aligns with its themes, focusing on mood-driven storytelling and emotional depth.

“There are moments where you’re misunderstood for growing,” Jones said. “That’s where ‘Villain’ comes from.”

Jones also described the creative process as liberating, noting that each phase of development has expanded her perspective.

“Every time I create, I discover new freedom,” she said. “It feels like a phoenix rising, like I’ve unlocked a new level of consciousness.”

A release date for Breaking Character has been confirmed for June 6. The project marks Jones’ continued expansion into music and visual storytelling, positioning it as a personal and creative evolution.

Follow her on IG!

Ta’Rhonda at 48th NAACP Image Awards Red Carpet

Ta’Rhonda at the 2016 Essence Festival Presented by Coca-Cola

Ta’Rhonda at The 47th NAACP Image Awards Presented by TV One, Red Carpet

Ta’Rhonda | The Broad Host West Coast Debut of “Soul of a Nation”

Benny The Butcher In Chicago, Live at Promontory: Tana Talk 4

Culture News, Entertainment, Hip Hop, Culture, and Political Tricks, What's Good?

This is a developing story, I have more to share.

Mr. Butcher is now added to my list of street artists, thanks to Covert Operations. His storytelling is impeccable. Once I saw my cousins, Charles and Paris in the mix, I knew that he had to be something decent but I had no clue he was going to be something this valuable to hip hop culture. Not that I was even expecting anything less because my people have good taste in music and culture, but just like the old head said. “Would you rather have one Maybach or 5 Acuras? He was framing the context of quality music from conception to modern flowing art. I wasn’t aware of who he was but I know now.

Press Associate Kash Photography of New York

I enjoyed the hip-hop enthusiast vibes and the game from a mid-range perspective. First day back outside, and this gives me clarity of the beats I need to be on for reviews, interviews, and media mixing.

The opening talent was solid, Enos and King Drive is whom I remember. I missed a few artists performing, but I did meet some artists backstage that was graceful, Corey St.Rose & Kid Flvsh. The event was sold out three days before the live show, with guests filling the venue from wall to wall. To walk to the bar was a tour, bumping into fellow peers and natives of the culture.

I look forward to seeing more of Benny The Butcher in the city. If you’re looking for high-end urban culture subscribe to Covert Operations for events, booking, and management. First time in Chicago? Need a social place? The Promontory is a good choice for established social services and food in the heart of the Chicago Culture.

Lecture You Need to Watch: Dr. Barbara Sizemore’s “Black People Still Don’t Get It”

Culture News

Credit: TransAtlantic Productions

This lecture has been saved on my watch later list for years, maybe over 4. I’ve watched it multiple times and I’ve decided to start sharing some of my independent scholarly works including my scholarly work as a member of the City Colleges of Chicago and Governors State University. My independent works satisfy me more because it’s aligned with my passion.

We need to know (blacks, poor, indigenous peoples, etc.) that no one is coming to save us and we need to prepare those coming behind us for the real true world, and not the ideal world they teach us we will graduate into as we fake climb the ladder of success in capitalism and public systems.

Feel free to comment and share your thoughts. Please share this lecture with your people, they need to hear this.

Mapping Global Media and Contra-Flow: Discussion

Culture News, Scholarly Works

What is the global media landscape? How has it evolved over the past decades? What role has UNESCO played in the shaping of the global media landscape?

The global media landscape is the digital technology and aesthetics of the flow of media. It has evolved over the last decade by allowing the global and contra-flow of media to flow in different directions (export and import). This allows those who didn’t have access to other nations or target audience to expand their base or reach a larger audience. The UNESCO role, which is the mediator, has shaped the global media landscape. It helps to report information to the key players involved providing them with education for a better understanding of culture scientifically. I think that this allows all parties involved to make better decisions when it comes to the trading of communication and media commodities.

Who are the major media players (companies and countries)? What is meant by ‘subaltern’ contra-flows? Are these anti-hegemonic or pro-American? Why?

The major media players in terms of countries is United States, Europe, and Asia. The major media company players are CNN (US), ESPN (US), Disney (US), Discovery (US), Hollywood (US), Google (US), BBC (Europe), CNBC (US), Wall Street Journal (US), Japanese Animation (Japan), etc.( Thussu, 12).

What is meant by “subaltern Contra-flows”, is an sub-alternate flow that flows culture from one place to another by a constituent from another region (Thussu,11-13) . For example, there are two types of Contra-Flows: Transnational and Geo Cultural (Thussu,12) . Transnational is a subaltern flow that consist of multi-vocal, multimedia, and multi-directional flows (Thussu,11-13).

According to the text, Thussu states that global media traffic isn’t just one way, even with the US at core. I think that this shows that the subaltern flows is anti-hegemonic even though they may be hybridized (Thussu,18-21). The goals of these subaltern flows is to create a flow that counters the dominant flows, giving the world audience a different perspective of culture and creativity (Thussu, 10-13).

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I do not own the copyrights to the image

Salute To Women In Music 🎶 #ChicagoStyle

Culture News, Hip Hop, Culture, and Political Tricks

Meet the powerhouse of Chicago’s women in music and media at Complex 2010 Studios presented Chicago, May 9 located on Michigan Ave on 26th Street.

Kenya was the Keynote Speaker of the event and Elizabeth aka Lady E.I., the owner of Chicago Executives and Midwest Division Head of RO Management (a sub-label to Sony and Universal), was the presenters along with Next Showcase Chicago.

The Women In Media

Kenya M. Johnson

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“Kenya McGuire Johnson, is a Soul and Jazz practicing independent vocalist/ songwriter who also has a master of arts degree in counseling. Kenya’s recent album, My Own Skin (2015), hit #1 on the UK Soul Chart. Her music has also hit top 40 on the R&B Soul Billboard Charts as well as Top 50 on independent smooth jazz radio charts. This unique combination of professional and personal artistic experience allows her to guide each client in developing various aspects of an artist’s journey (Creating Crimson).” She’s also the Director of NABFEME’s Chicago Network.

Joan Sullivan

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Senior Partner of Urban Ideas and Chief Executive Officer of Kingdom Records, Inc., has her hands in many imprints. Chicago Creed is one of her houses she shares in partnership with The Music Garage, and she shared her new venture with me, a studio opening soon in The Music Garage. Joan can help you with artist development and distribution. She can actually help you with more than that but this is great for starters.

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Morgan Mimosa

Live Band Performance

I didn’t get to speak to her to know more about what she does, and understand why she was being saluted but from doing my research she has experience in the game. It’s always great to know your peers and people who can share great advice with you while you’re developing. Ms. Mimosa is one of those peers. I look forward to featuring more information about her in my circulation.

Ciara Martina

Creator of Midwest Takeover, and there’s no slowing her down when it comes to creating platforms for artist to gain experience. I look at Ciara as the resume maker. Helping to promote artist and put them on stage to gain experience is her forte. She’s doing her first tour this year with Midwest Takeover, and her first stop is in Memphis.

Ellandrea McKissack

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Writer, Producer, and Editor, to sum it all up. She has a documentary she’s working on , and I look forward to speaking with her soon about it to provide you with more insight. Currently, she’s an Associate Marketing Communications Consultant for the Federal Reserve Bank of Chicago.

Ivy Hall

Program Coordinator at DCASE (Department of Cultural Affairs & Special Events for the City of Chicago); is helping the public get in tune with local and fresh talent. The requirements is to be professional and have a quality project to pitch to the team, a press kit (and if you need one of those let me know). I look forward to building with Ivy and getting insight on where she sees herself in the future and how she will continue to build her legacy in cultural affairs and events.

Bree Specific

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“A millennial media personality, business woman, and producer. Bree started her media career as a Broadcast Journalist for a Chicago based media corporation, What’s The Word TV, where she interviewed some of the hottest names in hip hop and entertainment. She later evolved within radio as Producer of The Rickey Smiley Morning Show on Power 92 & on air personality. Outside of radio, Bree focuses on growing her brand within all aspects of business, media, and culture developing her YouTube series- Specific Sites., where she takes you on a Specific tour of the most creative events in Chicago. She has a boutique candle line, Specific Scents. Bree takes her Specifics to new lengths expanding her product across the Chicagoland area promoting positivity, awareness, and great influence (Breespecifc.com).” Make sure you check her out on the airwaves every Sunday on Power 92 from 11 A.M.-3 P.M.

Debra Rhodes

“Program Director for WYCA 102.3 FM; She’s an experienced Program Director and has demonstrated history of working in the media production industry. Skilled in Event Planning, Press Releases, Community Outreach, Editing, and Public Speaking. She is a strong business development professional who graduated from Columbia College in Chicago (her LinkedIn). “

Tasha Clopton

“Director of Media at Cosmopolitan Community Church; is  insightful, creative and a talented media professional with over ten years of experience in print and broadcast journalism. She is seeking to shift from freelance to full-time journalism . She has been a Freelance writer and editor for online and print newsletters and magazines. She has experience as a director and technical director, video camera operator, on-camera reporter, and producer. She has exceptional communication, interpersonal and organizational skills. Her specialties are: editing, writing, directing, producing, media, talent escort; public relations, news, anchor, reporting, voice-overs (her LinkedIn) “

overall though…..

Information was shared on how to navigate your way in the industry, no matter what level you’re on. Most of the talk was geared towards development.  I am happy I was in attendance exchanging energy with these women. The support I have for women in the industry works in my favor, and is a strong key in how I move. We must support each other.  I wish I got to network with everyone in the room but you know how it is. 

2019 Miss and Mrs America Nation; and Kids Multicultural Runway

Culture News, What's Good?

Hyde Park, Chicago-Sunday, March 31, 2019 at 6 P.M. to 9 P.M. at the Lakeshore Cafe connected to the Laquinta Hotel, on the second floor was a pageant, 2019 Miss & Mrs. American Nation, & America Kids Multicultural Fashion Show, hosted by Mr. Ali & Queenie Amma , that you missed and need to be participating in next year.

(From left to right) Queenie Amma & Mr. Ali , hosting.

The Queens were sponsored with glam by Nasos Salon, helping create bold diversity glamour. Check out the gallery below! Everyone looked so beautiful and the children are showing off they had a blast during the experience.

Miss American Nation Gallery

All photos are courtesy of Miss & Mrs. American Nation

People were definitely hungry because soon as the smell of food hit the room people began going to get a plate while the Queens were walking. They had to be told to have some respect and give them their undivided attention. But that’s when you know for sure that the event is popping! After being entertained in a grand way, you need a snack in between.

There were singers but I wasn’t too much into the singing segment as I was the dance segment of the show. I loved the dancers ! They moved so effortlessly. The salsa dancers were my favorite, and GSU Dance Company was present in taken us to Hawaii through their voiceless wavy moves and subtle music of nature.